Annamayya climax vs. Sri Ramadasu Climax

Annamayya climax, no doubt, is the ultimate that any devotee longs for. Whenever I watch that part, I really get so emotional: first time, I could not stop crying, especially imagine God appearing in front of him- with whom God has travelled in every phase of his life, practically all his life and then God reminding him different stages of his life of His physical presence – detouring his life towards God by kicking the umbrella made with flowers and taking him into the temple, convincing him to get married, holding the pelli pallaki on his shoulders and everything. Ammavaru and Venkeswara Swamy singing the songs that Annamayya has written is the ultimate of everything.

What more than that any devotee could ask for and what a moment to know that God has been travelling with us throughout our life – in happy moments, in sad moments -everything.

I get goose bumps everytime when I watch that particular scene even now I am feeling that while I am writing this. I get so emotional even if I think of that scene.

మనం రోజు కొలిచే దేముడు ఎదురగా నిలిచి మన జీవితంలో అయన అడుగడుగునా మనతో నడిచిన ప్రయాణం గురించి చెపుతూ ఉంటే ఏ భక్తుడికైన ఇంకమే కావాలి – దేముడు మన కష్టసుఖాల్లో మనతోనే ఉన్నాడన్ననిజం

(manam rooju kolichae demudu eduruga nilichi mana jeevthamlo ayana adugaduguna manatho nadichina prayanam gurinchi cheputhu untae ae bhakthudikaina emi kavali – demudu mana kastha sukallo manathonae unnadaan nijam).

Swami ee sakshakatharam kala kadhu kadha kalpana kadhu kadha apadha mokkulavada anni bayalanu pogottae abhaya hasthamtho karunamrutha dharalu kuripinchae kati hasthamtho nannu kowgilinchukunnava, aa thalluliddariki nilayamaina nee gundaelapaiki nannu cherchukunnava, natho palikinchukunna ee keethanalaku pratiphalamga intha pedda kooli mutta cheppava naa janma tharinchindi charitharthamaindi

స్వామి ఈ సాక్షాత్కారం  కల  కాదు  కదా !  కల్పన కాదు కదా !  ఆపద  మొక్కులవాడ,  అన్ని  భాయాలును పోగొట్టే  అభయ  హస్తంతో,  కరుణామృత ధారలు కురిపించే  కటి  హస్తంతో  నన్ను  కౌగిలించుకున్నావా, ఆ  తల్లులిద్దరికి  నిలయమైన  నీ  గుండెలపైకి నన్ను  చేర్చుకున్నావా ! నాతో  పలికించుకున్న ఈ  కీర్తనలకు  ప్రతిఫలంగా  ఇంత  పెద్ద  కూలి  ముట్ట  చెప్పవా  ! నా  జన్మ  తరించింది,  చరితార్తమైంది !
 

Antharyami alasithi, solasithe ….

Sri Ramadsu climax is no way less that that of Annamayya – but it is in a different flavor where Sree Ramadasu has refused God’s offering of “Moksha lokam – Ananda Lokam” by saying there is no such happiness without having smarana, keerthana, archana and bhajana of the God and without all those forms of worshipping God there is no happiness and that is not happiness at all.

అదేమీ ఆనందలోకం స్వామి (adaemi ananda lokam swami)
ఆనందం అంటే నీ స్మరణం (anandam antae nee smaranam)
ఆనందం అంటే నీ కీర్తన (anandam antae nee keerthana)
ఆనందం అంటే నీ అర్చన (anandam antae nee archana)
ఆనందం అంటే నీ భజన (anandam antae nee bhajana)
ఆనందం అంటే శ్రీ రామ కోటి రచన (anandam antae sree rama koti rachana)
అవన్నీ లేని ఆలోకం ఆనంద లోకం ఎలా అవుతుంది స్వామి (avanni leni aalokam ananda lokam ela avuthundi swami)
 

And Nagarjuna’s emotions in both movies are at top-notch (undoubtedly we could  see only Annamayya and Sree Ramadasu not Nagarjuna) ….

After these two movies, Nagarjuna would have said naa janma tharinchindi charitharthamaindi ! – నా  జన్మ  తరించింది,  చరితార్తమైంది !

I tried to write my reactions to both climaxes but I do no think I have done enough justification of my feelings. The bottom line is I love both climaxes at different emotional levels ….

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s